An immersion into the narrative vertigo staged by Andrew Niccol’s film, the forerunner of an entire generation of television programs and a new approach to the universe of fiction.
Cinema frees the gaze: The Truman Show – Metalanguage and Social Criticism
Published in the bimonthly “Nostro Cinema”, n. 426, year XXXVII, 2/99 (March-April 1999), pp. 15-37
